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I’m also saying-well, if I’m saying there is no ghost, I’m also saying there is no body. True, they can all move independently-but only because they’re one with the body, and the body is one with its environment. The head and the feet look very different, but they are parts of one organism. They look very different, but they are essentially one organism. " The organism doesn’t have parts, it has features. But the important thing, I repeat, about this kind of chant is that it’s quite different from the ordinary religious exercise that, say, we have in our churches, where we are interminably talking and thinking, and we never get to contemplation. But in saying that, I have got myself into a linguistic trap. It’s a little bit like that, but language is so structured that I cannot talk without this implication. It’s called mantra. This is a really untranslatable Sanskrit word which refers to the use of sound for its sound rather than its meaning, the use of certain syllables or phrases, on the principle of: one is cured by the hair of the dog that bit you.

In the prison in Vietnam, in talking about the present and the past, the two prisoners, one experienced in meditation and one not experienced in meditation, their experience of presence is going to be entirely different. No, it is due to the fact that the meditator meditates and has liberated himself from his past, which was an idea in his head. Find your nearest location and head down to practice your shot and sink some balls. We talk sometimes about the practice of meditation as if it were like practicing the piano; preparing for a concert. It’s like when you separate a wiggle and you give names to different, say, bays or capes or mountains on a territory: that naming doesn’t actually separate them. You cannot separate those. We imagine ourselves to be results of the past. We think ordinarily of the present as an infinitesimal point at which the future changes into the past. So, you see, we’re always passing the buck and don’t realize that the past is caused by the present as the wake of a ship flows back from the prow.

What was your motivation that caused you to behave in this way? And also, there’s another way in which you’re playing with the air: lungs. " you’re identifying yourself with a word. Whether you’re already an expert or just getting started, Main Event has everything you need to have a night of fun in the billiards hall. If I were to identify myself with "Alan Watts," that would be identifying myself with a concept, with words-a rather complicated mess of words, to be sure, but still I would have made that mistake. If they were, they wouldn’t be involved in this mess. Because if you had a hairline present you wouldn’t be able to hear one note after another. Let the in-breath return and take another lead ball, and drop that one. And let the in-breath return-don’t pull it back, but let it come back as a reflex. Actually, the word "om" is spelled out in Sanskrit a-u-m, and thus comprises the whole range of sound from the back of the throat to the lips.

Let it go out in the same way as you would nestle yourself down into an extremely comfortable bed, where you sink in and in and in, and you let it flow out through your lips, so that you will know by the feel of air on your lips that you are really breathing and not just straining your muscles. We are not very particular about what sounds, but just listen to the whole natural flow of sound as you would listen to music. They are also designed with cloth that is intended to make the ball slide more slowly across the table. The term "billiards" refers to any game that is played on a cloth covered table with a cue stick. During this time, cue sports tournaments were held annually. In the early 1800s, Captain Mingaud invented the modern cue tip and masse shots while imprisoned for conspiracy in France. Back in the 1800s, there were "pool rooms" where people would come together to bet on horse races.

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