Why People Don't Care About Fela
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Fela Kuti
The life of Fela is full of contradictions, and that's part of what makes him fascinating. People who love him forgive the bad parts of him.
His songs often run for longer than 20 minutes and are sung in thick, almost incomprehensible Pidgin English. His music is inspired by Christian hymns, classical music, jazz, Yoruba singing, and horn-andguitar heavy highlife.
He was a musician
Fela Kuti embodied that music can be a tool to change the world. His music was used to argue for social, political and economic reforms. His influence is evident today. His musical style, Afrobeat, is a combination of African and Western influences. Its roots are in West-African music as well as funk. However, it has evolved into a completely new genre.
His political activism was ferocious and unflinching. He made use of his music to protest against corruption in the government and human rights abuses. Songs like "Zombie", "Coffin for the State Head" and others were shrewd criticisms of Nigeria's government. He also made his home, Kalakuta Republic, as an area for political activism and an area for gathering with like-minded people.
The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and feminist pioneer. Shantel Cribbs portrays her and she does a great job of capturing the importance she played in Fela's life. The play also highlights on her political activism. Despite her declining health she refused to undergo tests for AIDS. Instead, she chose traditional treatments.
He was a singer
Fela Ransome-Kuti was a complex musician who used his music to effect political change. He is credited with being the creator of afrobeat, an energetic mix of funk and traditional African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders.
Growing up with an anti-colonial suffragist mom, it is no surprise that Fela was a fan of social commentary and politics. His parents had hoped that he would become a doctor however, he had other plans.
While he began in a more political highlife style, a trip to America would change his outlook forever. His music was greatly influenced by his exposure to Black Power movements and the leadership such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy that would influence and inform his later work.
He was a writer.
Fela encountered Black Power activists like Stokely Carmichael, and Malcolm X during his time in the United States. This experience led him to form an activist group known as the Movement of the People and compose songs that reflected the thoughts that he held about political activism and black awareness. His ideas were expressed publicly through yabis, a form of public speaking that he called "freedom expression". He also began to impose a strict ethical code for his band, such as refusing to take medicine from Western-trained doctors.
After returning to Nigeria liability act fela started building his own club, the Shrine in Ikeja. The snares of officers and police were nearly constant. The Mosholashi-Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). But despite this, Fela kept his integrity unshaken. His music is a testament to the determination with which he fought authority and demanded that the popular will be reflected in official goals. It is an influence that will last for generations.
He was a poet
Fela's music used sarcasm and humor to bring attention to the political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. He also referred to himself in these shows as "the big dick in the small pond." The authorities took his jokes lightly and he was often detained, imprisoned, and beaten by the authorities. He was eventually given the title Anikulapo which means "he is carrying his death in his bag."
In 1977, Fela recorded a song called "Zombie," which compared soldiers to zombies who obeyed orders without hesitation. The military was irritated by this and raided Kalakuta Republic. They burned it down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window.
In the years following Nigeria's independence, Fela created Afrobeat, an genre of music that combined jazz and native African rhythm. His songs criticized European culture imperialism and supported African traditional religions and cultures. He also criticized fellow Africans who sabotaged their nation's traditions. He emphasized the importance of human rights and freedom.
He was a hip-hop artist
Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, Federal Employers’ liability Act rock and roll and traditional African music and chants which helped shape his style of music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work in a profound way.
Fela's music became an instrument of political power upon his return to Nigeria. He criticised the government of his country and also argued against Western sensibilities that affected African culture. He also wrote about societal inequities and human rights violations and was frequently detained for his criticism of the military.
Fela also sporadically advocated for the use of marijuana, referred to as "igbo" in Africa. He also held "yabis" (public discussions) at Afrika Shrine, where he would mock government officials and spread his views regarding freedom of expression and the beauty of women's body. Fela had a harem, an ensemble of young women who performed in his shows, and also backing his vocally.
He was a dancer
Fela was a master of musical fusion, taking elements from jazz, beat music and highlife to create his own distinctive style. He was a renowned African musician and vocal critic of colonial rule.
Fela refused to leave, despite being tortured and arrested by the Nigerian military junta as as witnessing the murder of his mother. He died in 1997 from AIDS-related complications.
Fela was a political activist who was critical of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also pushed for black-power and criticized Christianity, Islam and other non-African imports that divide the people of Africa. Shuffering and Smiling is the title track of an album from 1978. It is about overcrowded public transports filled with people who are poor, "shuffering and smiling". Fela was a fierce enemy of religious hypocrisy. His music was in turn complemented by his dancers, who were lively, sensual, and regal. Their contributions were as significant as Fela’s words.
He was an activist for the political cause.
Fela Kuti utilized music as a tool to challenge unjust authorities. He made use of his knowledge of American jazz and funk towards African patterns and rhythms, resulting in a sound that is braced for battle. The majority of his songs begin with slow-burning instrumentals, then adding small riffs and melodies until they burst with urgency.
In contrast to many artists who were hesitant to expose their political beliefs, Fela was fearless and unbending. He stood in his convictions even when it was dangerous to do so. His mother, Funmilayo Runsome-Kuti was a fervent feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister, and the head of the teachers' union.
He also created Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, degrading the property and hurting fela claims railroad employees severely. He refused to back down however, and continued to protest against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.
He was a father
Music is often viewed by many as a political action. Artists use lyrics to demand change. However, some of the most effective musical protests don't use words in any way. Fela Kuti is one of these artists and his music resonates today. He was the first to pioneer Afrobeat which combines traditional African rhythms and harmonies with funk and jazz being influenced by artists such as James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria which served its entire population.
Seun Fela's Son is carrying the legacy of his father through a band named Egypt 80. The band will be touring the globe this year. The band's music blends the music and politics of Fela's era with a passionate critique of the same power structures that continue to exist today. The album, Black Times, will be released in March. A large number of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so big that police were forced to block the entrance to the location.
The life of Fela is full of contradictions, and that's part of what makes him fascinating. People who love him forgive the bad parts of him.
His songs often run for longer than 20 minutes and are sung in thick, almost incomprehensible Pidgin English. His music is inspired by Christian hymns, classical music, jazz, Yoruba singing, and horn-andguitar heavy highlife.
He was a musician
Fela Kuti embodied that music can be a tool to change the world. His music was used to argue for social, political and economic reforms. His influence is evident today. His musical style, Afrobeat, is a combination of African and Western influences. Its roots are in West-African music as well as funk. However, it has evolved into a completely new genre.
His political activism was ferocious and unflinching. He made use of his music to protest against corruption in the government and human rights abuses. Songs like "Zombie", "Coffin for the State Head" and others were shrewd criticisms of Nigeria's government. He also made his home, Kalakuta Republic, as an area for political activism and an area for gathering with like-minded people.
The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and feminist pioneer. Shantel Cribbs portrays her and she does a great job of capturing the importance she played in Fela's life. The play also highlights on her political activism. Despite her declining health she refused to undergo tests for AIDS. Instead, she chose traditional treatments.
He was a singer
Fela Ransome-Kuti was a complex musician who used his music to effect political change. He is credited with being the creator of afrobeat, an energetic mix of funk and traditional African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders.
Growing up with an anti-colonial suffragist mom, it is no surprise that Fela was a fan of social commentary and politics. His parents had hoped that he would become a doctor however, he had other plans.
While he began in a more political highlife style, a trip to America would change his outlook forever. His music was greatly influenced by his exposure to Black Power movements and the leadership such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy that would influence and inform his later work.
He was a writer.
Fela encountered Black Power activists like Stokely Carmichael, and Malcolm X during his time in the United States. This experience led him to form an activist group known as the Movement of the People and compose songs that reflected the thoughts that he held about political activism and black awareness. His ideas were expressed publicly through yabis, a form of public speaking that he called "freedom expression". He also began to impose a strict ethical code for his band, such as refusing to take medicine from Western-trained doctors.
After returning to Nigeria liability act fela started building his own club, the Shrine in Ikeja. The snares of officers and police were nearly constant. The Mosholashi-Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, particularly 'bana' and 'yamuna' (heroin). But despite this, Fela kept his integrity unshaken. His music is a testament to the determination with which he fought authority and demanded that the popular will be reflected in official goals. It is an influence that will last for generations.
He was a poet
Fela's music used sarcasm and humor to bring attention to the political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. He also referred to himself in these shows as "the big dick in the small pond." The authorities took his jokes lightly and he was often detained, imprisoned, and beaten by the authorities. He was eventually given the title Anikulapo which means "he is carrying his death in his bag."
In 1977, Fela recorded a song called "Zombie," which compared soldiers to zombies who obeyed orders without hesitation. The military was irritated by this and raided Kalakuta Republic. They burned it down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window.
In the years following Nigeria's independence, Fela created Afrobeat, an genre of music that combined jazz and native African rhythm. His songs criticized European culture imperialism and supported African traditional religions and cultures. He also criticized fellow Africans who sabotaged their nation's traditions. He emphasized the importance of human rights and freedom.
He was a hip-hop artist
Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, Federal Employers’ liability Act rock and roll and traditional African music and chants which helped shape his style of music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work in a profound way.
Fela's music became an instrument of political power upon his return to Nigeria. He criticised the government of his country and also argued against Western sensibilities that affected African culture. He also wrote about societal inequities and human rights violations and was frequently detained for his criticism of the military.
Fela also sporadically advocated for the use of marijuana, referred to as "igbo" in Africa. He also held "yabis" (public discussions) at Afrika Shrine, where he would mock government officials and spread his views regarding freedom of expression and the beauty of women's body. Fela had a harem, an ensemble of young women who performed in his shows, and also backing his vocally.
He was a dancer
Fela was a master of musical fusion, taking elements from jazz, beat music and highlife to create his own distinctive style. He was a renowned African musician and vocal critic of colonial rule.
Fela refused to leave, despite being tortured and arrested by the Nigerian military junta as as witnessing the murder of his mother. He died in 1997 from AIDS-related complications.
Fela was a political activist who was critical of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also pushed for black-power and criticized Christianity, Islam and other non-African imports that divide the people of Africa. Shuffering and Smiling is the title track of an album from 1978. It is about overcrowded public transports filled with people who are poor, "shuffering and smiling". Fela was a fierce enemy of religious hypocrisy. His music was in turn complemented by his dancers, who were lively, sensual, and regal. Their contributions were as significant as Fela’s words.
He was an activist for the political cause.
Fela Kuti utilized music as a tool to challenge unjust authorities. He made use of his knowledge of American jazz and funk towards African patterns and rhythms, resulting in a sound that is braced for battle. The majority of his songs begin with slow-burning instrumentals, then adding small riffs and melodies until they burst with urgency.
In contrast to many artists who were hesitant to expose their political beliefs, Fela was fearless and unbending. He stood in his convictions even when it was dangerous to do so. His mother, Funmilayo Runsome-Kuti was a fervent feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister, and the head of the teachers' union.
He also created Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, degrading the property and hurting fela claims railroad employees severely. He refused to back down however, and continued to protest against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.
He was a father
Music is often viewed by many as a political action. Artists use lyrics to demand change. However, some of the most effective musical protests don't use words in any way. Fela Kuti is one of these artists and his music resonates today. He was the first to pioneer Afrobeat which combines traditional African rhythms and harmonies with funk and jazz being influenced by artists such as James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria which served its entire population.
Seun Fela's Son is carrying the legacy of his father through a band named Egypt 80. The band will be touring the globe this year. The band's music blends the music and politics of Fela's era with a passionate critique of the same power structures that continue to exist today. The album, Black Times, will be released in March. A large number of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so big that police were forced to block the entrance to the location.
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